Wednesday 27 November 2013



 
Huck Finn Geography
HUCKLEBERRY FINN


Introduction:

            Huckleberry Finn, published in 1885, is considered not only a great book, but according to Ernest Hemingway (and many critics), it is the foundation of American literature.  It is the first novel to address uniquely American problems such as slavery and the hypocrisy of American Society (particularly of the Southern Gentile Tradition).  It is the first novel to have as its narrator a true American: an uneducated homeless boy of the lower class who has been raised for most of his life by no one and who owns nothing but his own ingenuity.  In fact it is the naivety of the narrator that allows Mark Twain to condemn society.  Huck Finn, while a liar, a thief, a minor conman (or con-boy), a rapscallion, a dirty waif, and a prankster, is ironically the most honest and good person in the book.  Fortunately Huck’s lack of sophistication limits his ability to be anything but true to heart.  It is his redemption.  The novel, a biting satire, employs all three types of irony we’ve discuss to create humor, plus it employs devices such as the use of allusion as a way to mock past literature for Huckleberry Finn is a novel in the school of realism. Twain believed that literature had to have characters and situations that could be found in the real world and to address real world problems (and Twain does entertain scenes with events that mimic and mock real events that happened in his day).  This idea of realism is one of the reasons the novel contains four types of dialect and discusses ideas such as slavery and freedom.  Twain opposed and absolutely hated romantic literature: literature where unlikely things happened such a fantastic escapes, magic, and Robin Hood-like heroes.  He pokes fun at these types of novels, perhaps too much fun.  Twain also uses his mockery of Romanticism to address the absurd nature of American idealism.  Huck Finn has been called vulgar and has been banned in high schools and in libraries since its publication.  Beware you will encounter the “N” word regularly.  Twain used it for a reason.  It should shock you and it should make you think.

Unit Learning Goal: Students will demonstrate knowledge of nineteenth century foundation works of American Literature by analyzing satire in Mark Twain’s The Adventures of Huckleberry Finn and relating one of its main themes to another text and issue of the time. 

TEXTS:

“Historical and Context of the transition from Romanticism to Realism”; selected poetry by Walt Whitman and Emily Dickinson; excerpts from The Narrative of the Life of Frederick Douglas; “The Gettysburg Address”, “The Emancipation Proclamation”, “Lincoln’s Second Inaugural Address”; The Adventures of Huckleberry Finn

Standards:

RL1 – Cite Strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain
RL2 – Determine two of more themes or central ideas of a text and analyze their development over the course of a text, including how they interact and build upon one another to produce a complex account; provide an objective summary of the text
RL3 – Analyze the impact of the author’s choices regarding how to develop and relate elements of a story (e.g. where a story is set, how the action is ordered, how the characters are introduced and developed)
RL 4 – Determine the meaning of words and phrase as they are used in text, including figurative and connotative meaning; analyze specific word choices on tone
RL 5 – Analyze how an author’s choices concerning how to structure specific parts of a text contribute to its overall meaning
RL 6 – Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really mean (i.e. satire, sarcasm, irony)
RL 9 – Demonstrate knowledge of nineteenth century foundational works of American Literature
RI 1 – Cite strong textual evidence to support of analysis of what a text says
RI 8 – Delineate and evaluate the reasoning in seminal U.S. texts (e.g. Presidential Addresses)
RI9 – Analyze nineteenth century foundation U.S. documents of history and literary significance for themes, purposes and rhetorical features (e.g. Lincoln’s Second Inaugural Address, The Gettysburg Address). 


Learning OBJECTIVES:

By the end of the novel students will be able to

1)    Define realism, satire, dialect, antihero, unreliable narrator, irony (situational, dramatic, and verbal), episodic plot, romanticism, dramatic foils, hyperbole, motif, picaresque novel, parable, sarcasm, simile, metaphor, oxymoron, allegory, euphemism, bildungroman
2)    Pick out examples of symbols, irony and dialect
3)    Example the meaning of at least one major symbol
4)    Discuss how Huck is both an unreliable narrator and an antihero
5)    Discuss how Huckleberry Finn, the novel, fits both a bildungsroman and picaresque novel
6)    Give examples of and discuss the following motifs in the book: superstition, parodies of previous literature (romantic novels and Shakespeare), the adopting of personas (or reinventing self), childhood games, religion, lies and cons, death, and perhaps one or two others that I will bring up in class
7)    Be out to pick out and example five – ten allusions
8)    Outline the plot according to the six elements
9)    Break up the book into three sections or three movements (and briefly explain each movement)
10) Break up the book into 9 episodes
11) Give a list of characters in the book with a brief description of each and their general purpose in the novel
12) Compare and Contrast Huck Finn and Tom Sawyer
13) Discuss the idea of and the historical reference of Family Feuds
14) Discuss the different types of conflict found in Huckleberry Finn
15) Discuss how Mark Twain uses allusions to back up his major themes and develop his characters
16)   Keep a list of Huckleberry Finns stories and pranks
17) Discuss how Huckleberry Finn is honest in dishonest world
18) Briefly explain the following themes: Racism and Slavery, Intellectual and Moral Education, The hypocrisy of society (appearance vs. reality), conflict between the individual and society, the quest for freedom (both freedom away from society and freedom within society), superstition vs religion, death and rebirth, coming of age and the hero’s journey, the concept of family, the role of the outsider, the nature and the significance of the following traits: gullibility, ignorance, and naivety, tolerance vs. prejudice. 
19) Define and use various vocabulary words that appear in the book
20) Develop a project based on some aspect of the novel.
21) Answer study questions as you read.


DATES:

12/2 Overview of Realism and issues of the day

12/3 – 12/4 Walt Whitman

12/5 -12/6 Emily Dickinson

12/9- 12/11 Lincoln: “The Emancipation Proclamation”; “The Gettysburg Address”; “Lincoln’s Second Inaugural Address”

12/12 – 12/13
from The Narrative of the Life of Frederick Douglas

12/16 – Huckleberry Finn: Structures, background, literary devices

12/17-12/20 Huck Finn chapters 1-11

We will finish the book in January!

Tuesday 26 November 2013

Realism

So - we will be moving on to American Realism on Monday.  Please make sure you finish your analytical essays.


Analysis Essay:

In 2-3 papers students will need to analysis some aspect of The Scarlet Letter and connected it to a theme.  Things that can be explored include symbolism, tone, diction, characters and events.  I expect students to use their didactical journals for focus on examples.  I also expect all students to choose something small to concentrate on.  I would rather you spend three pages examining one paragraph in relation to a theme, than try to try and examine something like Pearl’s role as Savior and Chillingworth’s role as the devil.  This would be too large.  You couldn’t examine it in enough detail in three pages.  Remember I’m looking for precise thesis statements and evidence that is analyzed. 

GRADE: Essay grade with 100 points.

  
A
B
C
D
FOCUS
Hook, Thesis Statement, Order of development are fresh and original, and connected to a theme.  Thesis is narrow and manageable.  Order is precise and helps develop one clear idea.  Hook and thesis are connected. 

Hook, Thesis Statement and Order are present in the first paragraph. 
There is a thesis statement but either it is not clear, or the order of development and/or hook is missing.
No thesis statement
Examples and Analysis
The examples from the source (text) not only back up the thesis but are introduced, explained and analyzed. The analysis shows depth of thought and insight into the text.
The examples used back up the main ideas of the essay.  The analysis offers some insight into the theme, but the depth is not necessary original. 
The examples used don’t necessarily back up the thesis.  They are summative in nature and not exact.  The analysis doesn’t offer much if any depth into the text or is merely plot summary.
No Analysis and/or Examples
Voice/Word Choice
Point of view is evident.  Clear sense of audience.  Ideas are original.  Work is engaging.  Precise, fresh and original words.
Some sense of audience.  Conveys ideas to reader.  Ideas are not necessary original.  Uses favorite words correctly.  Some experiment with new words or SAT words. 
Paper lacks energy.  Essay lacks focus and/or doesn’t persuade.  Language relies on repetition of the same words or there is an overuse of “to be” verbs. 
Voice is not apparent, or doesn’t necessary seem that of the author. 
Mechanics
No mistakes
One to five small mistakes that do not affect the reading of the essay
Five to ten mistakes
Numerous mistakes that impair reading

Monday 18 November 2013

Classwork for Tues, Wed, and Thurs.

Tuesday - TEST on the Romantic Period of America Literature.

Wednesday - in class read as a group and work on your dialectical journals.

Thursday - make vocabulary charade cards (you can include characters from the book) and play a game to review for the quiz on Friday. 

Friday 15 November 2013






LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text by referring to specifics from a text.  


Objective: record and analysis specifics from the text as you read.  Make sure these specifics interest you and relate to some larger idea or connection.  
 
You will have a final essay on The Scarlet Letter.  This will be analytical and will discuss how a theme is developed throughout the course of a novel by looking at either character development, symbol or symbolism, and/or novel structure.

Remember - your test on the American Romantic Period is on Tuesday.  
Your vocabulary quiz is next Friday.
Dialectical journals are due on a week from Monday and essays will be due after Thanksgiving (though I will take them before if you are done). 


Today, after Rosalie presents, I want each of you to read one of your dialectical journal entries to discuss as a class.

We will then look at chapter 13. 

Thursday 14 November 2013

THE SECRET LETTER

Today - you are going to present a letter that symbolize some aspect/sin/failing within you.  Smile.  The class will try and guess what the letter represents. 

After presentations we will look at chapter 12, perhaps the most important chapter in the book so far (and one of the longer chapters).

HW: I want everyone to post at least 10 entries by tonight.  Twenty by Monday. 

Tuesday 12 November 2013

Hester Prynne





LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text by referring to specifics from a text.  


Objective: record and analyze specifics from the text as you read.  Make sure these specifics interest you and relate to some larger idea or connection. 


Lets look at some symbols:

Hester Prynne
Hester: Hestier in Greek mythology, Zeus’s sister, a woman of beauty
            hestier (hasty)
Prynne: prurient
             prune: purify her sin
             pry: probe into the interior of one’s heart
                               
Arthur Dimmesdale
Arthur: Adam, adultery
Dimmesdale: dim + dale:  dim interior  (to hide one’s sin)                      
 
Roger Chillingworth
Roger: rogue (revenge)
Chillingworth: chilly (cruel, inhumane)
                        + worth (induce Arthur to speak out his own sin)
                                    
Pearl: good, pure and precious

(show student project on symbols).

Let's talk about structure.  What is the structure of this novel?  How could someone look at the structure of this book? 

The Romantic Period

Rosalie has the words of the day.  

Okay, so you have a test on the Romantic period - mainly the shorter readings, Longfellow, Emerson, Thoreau, Poe.  You'll need to be able to give the main idea(s) of the pieces along with examples - specifics - from the text.  You might also need to give the contact for writing the piece (example: what inspired Thoreau to write "Civil Disobedience").  We spend a lot time picking our main ideas and how these ideas were developed, and we talked about author's purpose.  These are the things that you'll be tested on.  Test Date: 11/19


Today - we need to create a study guide and begin reviewing.


HW: Chapter 10. 

NOTE: Personal Narratives will be due on Friday (note that this is an extension).  

Monday 11 November 2013

The Scarlet Letter


LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text by referring to specifics from a text.  


Objective: record and analysis specifics from the text as you read.  Make sure these specifics interest you and relate to some larger idea or connection.  

So, you should be on chapter 9 today.  We will be placing words of the day on the board and discuss what you read this weekend and what you have marked for your dialectical journals.  We will also read chapter 9. 

I want you to start thinking about the letter you will wear that represents one of your flaws.  You will wear these on Thursday. 

Thursday 7 November 2013

Scarlet Letter


LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text by referring to specifics from a text.  


Objective: record and analysis specifics from the text as you read.  Make sure these specifics interest you and relate to some larger idea or connection.  

 Today, I need to collect your Personal Narratives.  I want you to share one of your dialectical journals with the class as a discussion starter (and to see if you are going in the right direction).  We need to discuss due dates.  You also have new vocabulary (look up for homework).  Read chapter 5.

Okay, so you have a test on the Romantic period - mainly the shorter readings, Longfellow, Emerson, Thoreau, Poe.  You'll need to be able to give the main idea(s) of the pieces along with examples - specifics - from the text.  You might also need to give the contact for writing the piece (example: what inspired Thoreau to write "Civil Disobedience").  We spend a lot time picking our main ideas and how these ideas were developed, and we talked about author's purpose.  These are the things that you'll be tested on.  Test Date: 11/19

You'll also have a final essay on The Scarlet Letter.  This will be analytical and will discuss how a theme is developed throughout the course of a novel by looking at either character development, symbol or symbolism, and/or novel structure.  Due Date: 11/26  

Dialectical Journals will be due on 11/21.

There are 24 chapters in the Scarlet Letter.

Reading Schedule:
11/7 chapter 5
11/8 chapter 6
11/9 chapters 7-8
11/10 chapters 9-10
11/11 chapter 11
11/12 chapter 12
11/13 chapter 13
11/14 chapter 14
11/15 chapter 15
11/16 chapters 16-17
11/17 chapters 18-19
11/18 STUDY (chapter 20)
11/19 chapter 21-22
11/20 chapters 23-24

Vocabulary Words:


Anathema
Emolument
Mountebank
Deleterious
Misanthropy
Indefatigable
Constrained
Amenable
Averred
Heterodox

Wednesday 6 November 2013

Dialectical Journals


LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text by referring to specifics from a text. 

 
Objective: Start keeping a dialectical journal for chapter 4.  Try to chose things that reflect a major theme and connect to each other.   


Effective students have a habit of taking notes as they read. This note-taking can several forms: annotation, post it notes, character lists, idea clusters, and many others. One of the most effective strategies is called a dialectical journal. The word “dialectical” has numerous meanings, but the one most pertinent is the “art of critical examination into the truth of an opinion” or reworded “The art or practice of arriving at the truth by using conversation involving question and answer.” As you read, you are forming an opinion about what you are reading (or at least you are SUPPOSED to be forming an opinion). That opinion, however, needs to be based on the text – not just a feeling. Therefore, all of your opinions need to be based on the text.

The procedure is as follows:

1. Purchase a dedicated spiral notebook and draw a line down the center of each page of the notebook. NOTE: I expect you to publish these journal entries on your blogs nightly and number them as you go.

2. As you read, pay close attention to the text.

3. Whenever you encounter something of interest (this could be anything from an interesting turn of phrase to a character note), write down the word/phrase in the LEFT HAND COLUMN making sure that you NOTE THE PAGE NUMBER. If the phrase is especially long just write the first few words, use an ellipsis, then write the last few words.

4. In the RIGHT HAND COLUMN, WRITE YOUR OBSEVRATIONS ABOUT THE TEXT you noted in the left-hand column. This is where you need to interact in detail with the text. Make sure that your observations are THOROUGH, INSIGHTFUL, and FOCUSED CLEARLY ON THE TEXT.

Requirements:

1) For each novel we read you will need to complete a MINIMUM of 55 entries if you wish to be eligible for an “A”. 35 is the minimum for a passing grade. Make sure you number your entries.
2) A completed dialectical journal should be brought to class each day a reading assignment is due.
3) On some short fiction and poetry reading assignments I may ask you to keep a dialectic journal on the reading (usually I’ll ask for 5-10 entries for shorter works).
4) Dialectic journals will be used as part of class discussion and will be randomly collected and graded for homework.

When should you write things down?
• When certain details seem important to you
• When you have an epiphany
• When you learn something significant about a character
• When you recognize a pattern (overlapping images, repetitions of idea, details, etc.)
• When you agree or disagree with something a character says
• When you find an interesting or potentially significant quote.
• When you notice something important or relevant about the writer’s style.
• When you notice effective uses of literary devices.
• When you notice something that makes you think of a question

That is all there is to it. This way, once you have read your text you will already have a great set of notes on which to draw when you write your paper. You also should have gained a great deal of insight about your particular text.

Note: Should you rather type this, just use the COLUMN function in your tool bar and complete steps two-four electronically.

Grading (based on 55 entries, if you have 45 entries an A= B, B= C, 35 entries A=C)

A—Detailed, meaningful passages, plot and quote selections; thoughtful interpretation and commentary about the text; includes comments about literary elements (like theme, diction, imagery, syntax, symbolism, etc.) and how these elements contribute to the meaning of the text; asks thought-provoking, insightful questions; coverage of text is complete and thorough; journal is neat, organized, numbered and readable.
B—Less detailed, but good selections; some intelligent commentary about the text; includes some comments about literary elements (like theme, diction, imagery, syntax, symbolism, etc.) but less than how these elements contribute to the meaning of the text; asks some thought-provoking, insightful questions; coverage of the text is complete and thorough; journal is neat, organized, numbered and readable.
C—A few good details about the text; most of the commentary is vague, unsupported or plot summary/paraphrase; some listing of literary elements, but perhaps inadequate discussion, but not very thoroughly; journal is relatively neat.
D—Hardly any good or meaningful details from the story; notes are plot summary or paraphrase; few literary elements, virtually no discussion on meaning; no good questions; limited coverage of text, and/or too short

Tuesday 5 November 2013

Scarlet Letter chapters 2-3


LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text.


Objective: Look at how the symbol and theme you chose for chapter one grows in chapters 2-3.




As a class I want you to read chapters 2 and 3.  Mark you book as you read and think about the symbol and theme you chose in chapter 1.  Most of you picked the rose or nature or forgiveness (and these are all correct).  Think about beauty vs. darkness or nature vs. society, or the idea of forgiveness (who must forgive who?  who must forgive these characters?).  Now, post the notes you took as you read.  You should post at least five things that match your thoughts for chapter 1.  Please describe these notes. 


If you get done with this before class ends, review Romanticism and the works that we have read.  There will be a test in a couple of weeks. 

Monday 4 November 2013

Scarlet Letter

Okay - so I'm stuck in purgatory... I mean Ketchikan, so here is what I want you to do today:

LEARNING GOAL: RL9 - read and discuss classical literature of the 19th century.  Determine a theme of a text.

Today's Objective: Look at the imagery and major symbol presented in chapter 1 of Scarlet Letter and determine a theme from what it represents.  Note - pay close attention to titles. 

What you'll do:

Begin THE SCARLET LETTER. Read chapter 1 as a group and discuss the symbolic nature of the chapter. One of the major themes of the book is set up here. Post a 1-paragraph interpretation of this symbol - its meaning. The books are on my desk. Note, you will being dialectical journals on THE SCARLET LETTER this week, but I want to explain the process to you.  If you know the process you might begin to mark things to discuss in your dialectical entries.  As always, if you have major problems (as Hawthorne is dense and does write in symbols) look at SHMOOP, but only after you've read the chapter and discussed it. 

Lastly, if you finish this begin to review AMERICAN ROMANTIC LITERATURE:

1) The Fireside Poets (Longfellow)
2) The Transcendentalists (Emerson and Thoreau)
3) The Fiction Writers (Poe, Hawthorne - but also Melville and Washington Irving)